#Hard truck 2 soundtrack 2 driver

In spite of this, Janine manages to keep her cool, until a Martha tells her of the attack on June. She sadly finds out that Angela will be with her grandparents over the summer, then she is so rudely reminded by Naomi that she is her daughter. 'Un Homme Et Une Femme' by Francis Lai - On the morning of Lawrence's wedding, Janine and Lydia go to his house.

#Hard truck 2 soundtrack 2 driver

While Luke wins the brawl, he also puts the driver in the hospital, leading to the cops putting out a warrant for his arrest. Luke runs to her rescue and pulls the perpetrator out of the truck and the two get into a knock-down-drag-out fight. It's at this point that audiences are made privy to the fact that there's a Gilead sticker on the back of the vehicle. The truck runs her down from behind and then backs up over her, crushing her forearm in the process. The truck's engine roars, and she tries her best to get back to the house quickly, to no avail. After a particularly emotional meeting with Tuello, June walks back toward the house when she hears a truck blasting the song 'Kokomo' by The Beach Boys. 'Kokomo' by The Beach Boys - It seems that poor June just can't catch a break, and Gilead will forever be hot on her tail. Related: Handmaid's Tale: Why Some Canadians Support The Waterfords (& Gilead) While not that long ago she wouldn't have let the moment slide, she's allowing a little more leeway with the Handmaids after her reformation. The moment is small, but in the end, it's a testament to Aunt Lydia's growth in terms of empathy. While Aunt Lydia lets it slide, the other Aunts aren't so pleased, and one of them reminds Lydia that Janine will need to be re-posted. The girls sing 'It's the Hard Knock Life' while scrubbing the floor, and surprisingly, they aren't punished for it. 'It's the Hard Knock Life' sung by The Handmaid's Tale cast - In a rare moment of brevity in Gilead, Lydia oversees the Handmaids with Janine while they are cleaning the Red Center. 'Americans' by Janelle Monae plays in the background as Serena makes her getaway and over the ending credits of The Handmaid's Tale season 5, episode 9.

It's here that Serena escapes with her son and is able to find a driver on the road to help them towards freedom. They begrudgingly acquiesce, and the nanny takes Serena and Noah to a side room.

'Americans' by Janelle Monae - After being told to leave the clinic, Serena is able to convince the Wheelers to let her nurse Noah before leaving. While at the fertility clinic with her son, 'Tender Romance' by Daryl Griffith plays, highlighting just how attached Serena is to her baby boy. After convincing Ryan Wheeler to let her attend the opening of a fertility clinic with Noah, much to Alanis's chagrin, she is able to make a brief appearance before the Wheelers tell Serena to go home. The latter half of the episode focuses on Serena and her relationship with the Wheelers, which is becoming increasingly strained as they request that she pump rather than nurse her baby.

'Tender Romance' by Daryl Griffith - The Handmaid's Tale season 5, episode 9, sees both triumphs and tragedy as Mark Tuello's mission to save Hannah ends horribly while Serena finally decides to take a chance on freedom.